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Femspec
Indice Last update: 7.2
By
Contributor |
By Article
Articles
(alpha by author) See
also: Reviews |
Fiction | Poetry | Art
| Memorials
A
Sara
Martin Alegre, The
Other in Me: Nancy Collins’s Vampire Heroine, Sonja Blue
(4.1)
Louise
Allen, Monkey
Business: Planet of the Apes and Romantic Excess
(3.2)
Brian
Attebery, Women
Alone, Men Alone (1.2)
Margara Averbach,
Technology,
“Magic,” and Resistance in Native American Women’s
Writing (2.2)
B
Sandra
Baringer, The
Terror of the Liminal: Silko’s Almanac
and Klein’s
Phantasy Paradigm (2.2)
Marleen
S. Barr, Interview
with Janet Asimov (2.1)
Anita
Biressi, True
Crime, Medicine, and Corporeal Horror (4.1)
Alyson Buckman, "What
Good Is All This to Black People?" Octavia Butler's
Reconstruction of Corporeality (4.2)
C
Dorian
Cirrone, Millenial
Mothers: Reproduction, Race, and Ethnicity in Feminist
Dystopian Fiction (3.1)
William
Clemente, WisCon
22 and the (Not So) Secret Feminist Cabal (1.1)
Theresa
Crater, The
Resurrection of Morgan le Fey: Fallen Woman to Triple Goddess
(3.1)
Janice Crosby, The Snow
Queen and the
Goddess in the Machine (2.1)
D
Sharon
DeGraw, "The
More Things Change, the More They Remain the Same":
Gender and Sexuality in Octavia Butler's Oeuvre
(4.2)
J.
Andrew Deman, "Taking Out the Trash: Octavia E. Butler's
Wild Seed and the Feminist Voice in American SF." (6.2)
Scott
A. Dimovitz, "Cartesian Nuts: Rewriting the Platonic
Androgyne in Angela Carter's Japanese Surrealism." (6.2)
Christine
Doran, Fantasy
as History: The Invention of Cixi, Empress of China
(3.2)
R.C.
Dorozario. "The Consequences of Disney Anthropomorphism."
(7.1)
Eric
M. Drown. "Business Girls and Beset Men in Pulp Science
Fiction and Science Fiction Fandom." (7.1)
Drushel, Bruce E.
"Pandora's Box in Cyberspace: The On-line Alternative Fan
Sites of Hercules: The Legendary Journey." (7.2)
E
F
Mary
Fambrough, Transcending
Gender: Challenging the Binary. Divide at the Third
International Congress on Sex and Gender (1.1)
Aline Ferreira,
Artificial
Wombs and Archaic Tombs: Angela Carter’s
The Passion of Eve and
the Alien
Tetralogy
(4.1)
G
Robert
Gish, Voices
from Bear Country: Leslie Silko’s Allegories of Creation
(2.2)
Andrea
Greenbaum, Bio-Technology
as Kabbalah: Reconfiguring the Golem Myth in Alien
Resurrection and
Species
(4.1)
Sandra Govan, The
Parable of the Sower as Rendered by Octavia Butler: Lessons
for Our Changing Times (4.2)
H
Rebecca
C. Hains, The
Problematics of Reclaiming the Girlish: The Powerpuff Girls
and Girl Power (5.2)
Mary
Catherine Harper, Mending
the Rationality/Romanticism Divide in the Study of Women’s
Science Fiction (2.1)
Janet
Harrison. "The Muse Unmasked: Eileen Agar's Objectives
Correlatives." (7.1)
Roseanne
Hoefel, Narrative
Choreography toward a New Cosmogony: The Medicine Way in Linda
Hogan’s Novel Solar
Storms (2.2)
Veronica
Hollinger, The
Utopia of the Perverse: An Exercise in “Transgressive
Reinscription” (2.1)
Nalo Hopkinson, Address
Given at The College of New Jersey, Department of African
American Studies, 30th Anniversary Symposia: "Afrofuturism:
Womanist Paradigms for the New Millennium"
(6.1)
I
J
Alison
Jacques, "Lucky
Jupiter Meets Your Ruler": Otherworldly Sources of Girl
Power in Magazine Horoscopes (5.2)
Nancy
Johnston, “I
Would Have Swallowed the Kiss”: Reflections on Feminist
Speculative Poetry (2.1);
Made in
Canada (1.2)
Lorna Jowett, “Mute
and Beautiful”: The Representation of the Female in Anne
Rice’s Interview
with the Vampire (4.1)
K
Sylvia
Kelso, No
Place, the Good Place, a New Place (1.2);
Third Person
Peculiar: Reading between Acamenic and SF-Community Positions
in Feminist SF (2.1)
Kathleen
Kendall, Who
Are You Afraid Of?: Young Women as Consumers and Producers of
Horror Films (4.1)
Kirk,
Mary. "Vision of the Possible: Models for Women's Heroic
Journey Applied to Madrone's Path in The Fifth Sacred Thing."
(7.2)
Elaine
Kleiner and Angela Vlaicu, Revisioning
Woman in America: A Study of Louise Erdrich’s Novel The
Antelope Wife (2.2)
Susan Kray,
Refamiliarization:
Jewish Women in the Narrative Strategies of "Pulp"
Science Fiction Magazine Stories, 1993-2000
(4.2)
L
M
Barbara
Mabee, Reception
of Fairy Tale Motifs in Texts by Twentieth-Century German
Women Writers (1.2)
Tom
Matchie, Fighting
the Windigoo: Winona LaDuke’s Peculiar Postcolonial
Posture in Last
Standing Woman (2.2)
Jerrilyn
McGregory, Nalo
Hopkinson's Approach to Speculative Fiction
(6.1)
Patricia
Melzer, “All
that you touch you change”: Utopian Desire and the
Concept of Change in Octavia Butler’s Parable
of the Sower and
Parable of
the Talents (3.2)
Judith
Merril, That
Only a Mother (4.2)
Sabine
Meyer, Passing
Perverts, After All: Vampirism, (In)Visibility, and the
Horrors of the Normative in Jewelle Gomez’ The
Gilda Stories (4.1)
Gretchen
Mitchlitsch, Breastfeeding
Mother Rescues City: Nalo Hopkinson's Ti-Jeanne as Superhero
(6.1)
Liora
Moriel, An
Introduction, or the Jacket Blurb Comes of Age
(4.2)
Robin
Murray, Terri
Windling’s The
Wood Wife: A
Space for Complementary Subjects (3.1)
Megan Musgrave,
"Phenomenal Women: The Shape-shifter Archetype in
Postcolonial Magical Realist Fiction." (6.2)
N
O
Gloria
Feman Orenstein, Journey
through Mlle de Scudéry’s Carte de Tendre: A
17th-Century Salon Woman’s Dream/Country of Tenderness
(3.2);
NWSA
2000-Boston (2.1);
The
Surrealist Cosmovision of Bridget Tichenor
(1.1);
Vision and
Visibility: Contemporary Jewish Women Artists Visualize the
Invisible (4.2);
When the Imaginary Becomes Real, as Surrealism Said It Would:
'All the Rest Is Litterature'.(7.2)
Delilah Orr, Bear,
Mountain Lion, Deer, and Yellow Woman in Leslie Marmon Silko’s
Ceremony
(2.2)
PQ
R
Sharon Ross, Dangerous
Demons: Fan Responses to Girls' Power, Girls' Bodies, and
Girls' Beauty in Buffy the Vampire Slayer
(5.2)
S
Gerardo
Rodriguez Salas, "E.G.E. Bulwer Lytton's Covert
Antifeminism in The
Coming Race."
(6.2)
Pamela
Sargent, Jewish
Enough (4.2)
Debra
Bonita Shaw. "Sex and the Single Starship Captain:
Compulsory Heterosexuality and Star Trek: Voyager." (7.1)
Diane
Simmons, Maxine
Hong Kingston’s Woman Warrior and Shaman: Fighting Women
in the New World (2.1)
Smith,
Romayne. "Not 'Of Woman Born': Fairy Tale Mothers for
Postmodern Literary Children." (7.2)
Leslie
F. Stone, Letter
of the Twenty-Fourth Century (1.1);
Out of the
Void (2.1)
Susan
Stratton, Intersubjectivity
and Difference in Feminist Ecotopias (3.1)
Ella
Jo Street. "The Origin of Tarot" (7.2)
Darko Suvin, Cloning:
On Cognition in the Discourses of SF and Technoscience (3.2);
Must
Collectivism Be Against People What Remains Of Zamyatin’s
We After
The Change Of Leviathans: Reflections From Feminist And Other
Standpoints (1.1)
T
Douglas
Thorpe, Girl
Power and the Discourse of Aging: The Example of Ursula K. Le
Guin (5.2)
Linda
Holland Toll, "Bluestockings Beware: Cultural Backlash
and the Re/configuration of the Witch in Popular
Nineteenth-Century Literature."
Frances
Tomaszyk, Lunatics
with Lethal Combat Skills: Dark Doubles, Bacchae, and Soulless
Women in Xena:
Warrior Princess (4.1)
Stephanie S. Turner,
"What
Actually Is": The Insistence of Genre in Octavia Butler's
Kindred (4.2)
UV
W
Teresa
N. Washington, Power
of the Word/Power of the Works; the Signifying African Soul of
Africana Women's Literature (6.1)
Batya
Weinbaum, Interview
with Marge Piercy (3.2);
NWSA FEMSPEC
Salon (1.2);
NWSA
2000-Boston (2.1);
SFRA
2000-Cleveland (2.1);
Sex Role
Reversals in Star
Trek’s
Planets of Women as Indices of Second Wave Media Protest
(1.1)
C.
S'Thembile West. "The Competing Demands of Community
Survival and Self-Preservation in Octavia Butler's Kindred."
(7.2)
Lynn
Williams, Separatist
Fantasies 1690-1997: An Annotated Bibliography (1.2)
Gina
Wisker, “Honey,
I’m Home!”: Splintering the Fabrication in
Domestic Horror (4.1);
Women’s
Horror as Erotic Transgression (3.1)
'Your Buried
Ghosts Have A Way of tripping You Up': Revisioning and
Mothering in African American and Afro-Caribbean Women's
Speculative Horror (6.1)
Sarah
Wood, Subversion
through Inclusion: Octavia Butler's Interrogations of Religion
in Wild Seed and Xenogenesis (6.1)
Phoebe Wray, Writer’s
Respite at Wiscon ‘99 (1.2)
XYZ
Reviews
(alpha by author) See
also: Articles |
Fiction | Poetry | Art
Scott
Barr, Review
of The
Defiant Muse (4.2)
Bruce
Beatie, Review
of Teaching
toward the 24th Century (3.1)
Janice
M. Bogstad, A
Little Light Shed On: Into
Darkness Peering (1.1)
Beverly
Bow, Reivew
of Cambridge Anthology of SF
(6.2)
Elizabeth
Pandalfo Briggs, A
Ramble through Fantasyland (3.1)
Nsenga
K. Burton, Review
of Female
Hip-Hop Artists in Outer Space (4.2)
Ritch
Calvin, Review
of Turning
on the Girls (3.1)
Marcus
Casal, The
Poet as Cartographer (2.1)
Robert
Charlick, Review
of Sleeping
with Cats (4.2)
Tanya
Cochran, The On-line International Community of Buffy Studies
(6.2)
Debra
Rae Cohen, Review
of The
Battle of the Sexes in Science Fiction (4.2)
Sheryl
Curtis, Canadian Girl Power: Young Women Save the Day,
happily-Ever-After Ending Unnecessary (5.2)
Eric
Drown: 'Buffy, Who?' Review of Athena's Daughters:
Television's New Woman Warriors, edited by Frances Early and
Kathleen Kennedy. (7.2)
; 'Ooooo!, We Hate Bush.' Review of Hollywood's New
Radicalism: War, Globalization and the Movies from Reagan to
George W. Bush, by Ben Dickerson (7.2)
Joe
Geary, Young Women (and More) in Anime (5.2)
Liisa
Hake, Review
of The
Jigsaw Woman (3.1);
Two Reviews
(1.2)
Candice
M. Jenkins, Review
of Black Sexual Politics: African Americans, Gender, and the
New Racism (6.1)
Phillipa
Kafka, Don Quixote, the
Joads, and Jack Kerouac Move Over: A Chinese American Woman’s
Adventures On the Road [of Life] (2.1);
Review of
Goja (3.1);
Review of
The Road to Fez (3.2);
Review of
A Spiritual Life (4.2)
Brian
Kelley, Review
of Dreaming
the Actual (4.2)
K.
A. Laity and Wendy Goldberg, Japanesse Magic: The
Girl-Friendly Films of Hayao Miyazaki (5.2)
Phyllis
Lassner, Review
of Women's
Holocaust Writing (4.2)
Elizabeth
A. Lehfeldt, Review
of Witches
of the Atlantic World (3.1)
Emmy
Levine, Review
of Islands
of Women and Amazons (3.1)
Mary
Beth Long, Growing Up to Be Feminists: Reports on Girl Culture
(5.2)
Richard
A. Lupoff, Clare
Winger Harris and “The Fifth Dimension” (3.1)
Gretchen
J. Michlitsch, Review
of The Salt Roads (6.1)
Monique
Morrison, Octavia Butler Speaks: A Visit to Cleveland State
University (4.2)
Suzanne
Zahrt Murphy, Dream
Poet: Marijo Moore (2.2)
Nicte-Ha,
Dinotopia
(1.2)
Ifeoma
C. K. Nwankwo, Review
of Brown
Girl in the Ring (4.2)
Diana
Orendi, Review
of Soundless
Roar (4.2)
Gloria
Orenstein, Surrealist
Women (1.2)
Darlene
Pagan, Review
of Behind
the Blue Gate (3.1)
Shannan
Palma: Review of From Alien to The Matrix: Reading SF Films,
by Roz Kaveney (7.2)
Kathy
Davis Patterson, Review
of Minion: A Vampire Huntress Legend (6.1)
Donna
Burns Phillips, Review of Mary Shelley’s Fictions
Earl
Pike, Margins
Made Visible (1.1)
Annis
Vilas Pratt, Review
of In the
Footsteps of the Goddess (3.1);
Review of
Life Is a
Fatal Disease (2.2);
Review of The
Golden Book of Springfield (3.2)
Amanda
A. Putnam, Reading Sacred: Feminists Confronting Future
Feminists (5.2)
Lynee
Reed, The Song of the Goddess (6.2)
M.
Sean Saunders, Marwen's Web: Living on the Loom of the Mother
(5.2)
Karen
Schneider, On
Women of Other Worlds (2.1);
Review of
White Turtle (3.1)
Kaila
Schwartz, Elements
of Trickster in the Children’s Books of Louise Erdrich
(2.2)
Anne
Collins Smith, The
Exploration of Gender in Deep
Space Nine and Sacred Time (1.2)
Erin
Smith. Women Writing Pulp (7.1)
; Having a Good
Cry: Effeminate Feelings and Pop-Culture Forms (6.2)
; “Saddling La Gringa”
(3.2)
Jennifer
Thorington Springer, Review
of Whispers from the Cotton Tree Root: Caribbean Fabulist
Fiction (6.1)
Alicia
Thomas, Review
of The Awakening: A Vampire Huntress Legend
(6.1)
Audrey
Vanderford, Review
of The Raw
Brunettes (4.2)
Vanessa
Warne, Eyes Shining and Feet Kicking (5.2)
Batya
Weinbaum, Reviews
of The Bitch
Is Back; Inanna; From Moon Goddesses to Virgins; The
Lieutenant Nun (3.1);
Review of
Klezmer Music (4.2);
Review of
Summer with the Ghosts (5.2);
interview with Diana Rivers (7.1)
Carmiele
Y. Wilkerson, Review
of Love (6.1)
Gina
Wisker, Mothering
in the African Diaspora (3.1);
Reviews of
“Saddling
La Gringa”; (Out) Classed Women (3.2)
Ilana Wolpert, Review
of Bee
Season (4.2)
Fiction
and Plays (alpha by author) See
also: Articles |
Reviews | Poetry | Art
Kathie
Ausin, "Orion". (6.2)
Marleen
S. Barr, The
Feminist Pathfinder Does Not Probe Mars
(1.1);
Close
Encounters of the Monica Kind (4.2)
; Superfeminist Or, A Handmade Carol (7.1)
E.
M. Broner, De-Winging
the Angel (4.2)
Suzy
MeKee Charnas, Evil
Thoughts (4.1)
Christine
Croyden, Interview
with a Housework Beast (2.1)
Monica
De Neymet De Giacoman. Living Hours (excerpt) (7.2)
Stephanie
Dickinson. Grasshopper Woman (7.1)
Samuel
R. Delany, Trouble
on Triton – Excerpt (1.1)
Marcia
Douglas, Marie-Ma
(6.1)
Tananarive
Due, Protection
(3.2)
Linda
Eisenstein, Revelation
24:12 (1.2)
Carolyn
Gage, The
Rules of the Playground: A One-Act Play
(5.2)
Marilyn
Gale, Lilith
1996 (4.2)
Girls’
SF by a 9-year-old, circa 1961, The
Suncomers (1.1)
Carol
Guess, Love
Story with a Living Ghost (3.2)
Clare
Winger Harris, Excerpts
from “The Fifth Dimension” (3.1)
Linda
Johnson, If
the Sun and Moon Should Doubt… (2.1)
Sharon
King, "Quiescent." (6.2)
Rebecca
Lesses, A
Dream Question for the Angels (3.2)
Martha
Marinara, Ovum
(3.1)
Janet
McAdams, Plaza
Bocanegra (2.2)
Carole
Spearin McCauley, "Crone's Revenge." (6.2)
Abigail
Morris, The
Girl with the Metal Hair (5.2)
Dawn
Karima Pettigrew, Manna
Raptured (2.2)
Donna
Marie Robb, Soul
Spinner (4.2)
Doreen
Russell, Spell
(4.1)
Kiini
Ibura Salaam, K-USH:
The Legend of the Last Wero (6.1)
Debra
Scheef. From The Archives... (7.1)
Justin
Scott, The
Truth in Dreams (5.2)
Stephanie
Sellers, Coyote
Wants a Baby (2.1);
Father Coyote
(2.2)
Ruth
Knafo Setton, Beast
(1.2)
Andrea
Shaw, Jus' a
Pinch of the Yellow Powder (6.1)
Louise
Shaw, The
Which Bitch? Project (4.1)
Kristine
A. Sommerville, Runners
(5.2)
Cathy
Stadler, The
Lost Tribe (3.2)
Leslie
F. Stone: Cosmic
Joke (4.2)
Aida
Thompson. Thanksgiving Day (7.1)
Batya
Weinbaum, Sasha's
Harlem: Excerpts (4.2)
Poetry
(alpha by author) See
also: Articles |
Reviews | Fiction | Art
Karen
Alcaly-Gut, One
of Those Nights (4.2)
Sharon
Black, Stone
Dress (5.2)
Helen
Crump, Morning
Wake-up Sun (6.1)
Canda
Cruz. The Goddess Rag; Avatar Blues (7.1)
Cathy
Daly. Solo, Alone, False Apparitions, Untitled (7.1)
Jim
DeWitt. While You're Waiting for the Wind? (7.1)
Edvige
Giunta, "Stories
of Sicilian Girls" and "Dark Play" (5.2)
Rita
Grabowski, Recessively
Blond (4.2)
Edvina
Giunta. Night's Whispers (7.1)
Shannon
Mariana Houston, Haiku
(4.2)
Marilyn
Jurich, Even
Death is Uncertain without the Proper Forms
(4.2)
Marie
Kazalia. No Elvis Sightings (7.1)
Elizabeth
Kelley. Letter (7.1)
Nancy
Kuhl, If Kay
Sage Painted Portrait
as a Boy (3.2); The
Hundred-headless Woman Opens Her August Sleeve: Part 2
(3.2)
Tara
Leonard, Sanitary/Sanity
(3.2)
Jane
Liddell-King, Cornflakes
(3.2)
Lyn
Lifshin, Emily
Dickinson (5.2)
Sara
Littlecrow-Russell, Indian
Tears (2.2);
Those Indians
Sure Are Crafty (2.2)
Moira
McAuliffe, Orpheus
(3.1)
Kathleen
McConnell. The Inevitable Feminist Treatise on Catwoman
(excerpt) (7.2)
Susan
McLean. Circe, Scylla, The Siren, Melantho (7.1)
Barbara
Minchinton, Housework
Beast (2.1)
Katherine
Murphy, Not
Remembering My Childhood (3.1);
To a Friend
Afraid of Flying (3.1);
For My
Daughter, Dreading Dissection (3.1)
Cynthia
Feldman Paley, Reflections
from Kate’s Daughter (3.1)
Glenis
Redmond. Lonely Girl, Train, Scripted Hope (7.1)
Carol
Rose, Ex-nihilio
(4.2)
Cristian
Salazar, A
Map of the United States of America (3.1)
Lorraine
Schein, Remedios
Varo, with Artwork by Zazie (3.2);
The Goddess
at Bergen-Belsen (4.2)
Emily
Self, The
Language of Paper Dolls (5.2)
Aseret
Sin, Poetrix;
Sister Ancestor (6.1)
Dana
Sonnenschein. Man Ray's Muse (7.1)
Christina
Springer, Dream
Hunt (1.1);
Juneteenth
(1.1);
Word Worlds
(1.1)
Darko
Suvin, The
Taboo (1.1);
Imagine a
Fish (1.1)
Leonard
Trawick, Katherine
Murphy (3.1)
Barbara Louise Ungar,
Circe in Love
(1.2)
Interviews
(alpha by interviewer): See
also: Articles |
Reviews | Fiction | Poetry
Yolanda
Hood, Interview
with Tananarive Due (6.1)
Gwendolyn D. Pough,
Interview
with L. A. Banks (6.1)
Art
(alpha by artist): See
also: Articles |
Reviews | Fiction | Poetry
Kat
Ball, Stink
of the Future (2.2)
Marion
Epstein, Feminist
Speculative Art (6.2)
Jennifer
Jones, Untitled
(3.1);
Untitled
(3.1)
America
Meredith, Kelly Jean Church, Allison Francisco, Art
from the “Three Sisters Show,” Santa Fe, New
Mexico, June 1999 (2.2)
Shoshana Tomberg,
Domestic
Violence (3.1)
Memorials
See also: Articles
| Reviews | Fiction
| Poetry
Tillie
Lerner Olsen (1912 - 2007) by Ardys of Berkeley (7.2)
Monica
Sjoo by Starhawk (7.1)
Monique Wittig (1935 -
2003) by Gloria Orenstein. (7.2)
|
