Femspec Abstracts
Vol. 3 Issue 2
BATYA WEINBAUM
Editor's Notes
LOUISE ALLEN
Monkey Business: Planet of the Apes and Romantic Excess
CHRISTINE DORAN
Fantasy as History: The Invention of Cixi, Empress of China
PATRICIA MELZER
All that you touch you change: Utopian Desire and the Concept of Change in Octavia Butler's Parable of the Sower and Parable of the Talents
GLORA FEMAN ORENSTEIN
Journey through Mlle de Scudéry's Carte de Tendre: A 17th-Century Salon Woman's Dream/Country of Tenderness
DARKO SUVIN
Cloning: On Cognition in the Discourses of SF and Technoscience
FICTION:
TANANARIVE DUE
Protection
CAROL GUESS
Love Story with Living Ghost
REBECCA LESSES
A Dream Question for the Angels
GIRLS' FICTION:
CATHY SADLER POETRY:
NANCY KUHL The Hundred-Headless Woman Opens Her August Sleeve: TARA LEONARD JANE LIDDELL-KING LORRAINE SCHEIN INTERVIEW:
BATYA WEINBAUM REVIEWS:
PHILLIPA KAFKA ANNIS VILAS PRATT ERIN A. SMITH GINA WISKER GINA WISKER
The Lost Tribe
Sadler's short narration begins with an introduction, flashbakcs twenty years earlier, jumps back to the present time, and flashforwards to six months into the future. A story involving an archaeologist, Amazon women and Xena, warrior princess is what plays through the jumping back and forth of time.
If Kay Sage Painted Self-Portrait as a Boy
As the title already presents, this poem is a play on words, a lyrical explorations of emotions, feelings, smell, and touch.
Part 2
Like the previous poem, this one is a post-modern canvas of words, where the senses come to life, and again, the smell of turpentine, just like in " If Kay Sage Painted Self-Portrait as a Boy", makes a strange appearance as the poem concludes.
Sanitary/Sanity
A musical poem, with an ever-constant question mark in almost every line, exposing the obsession of the poetic subject with washing clothes, which in so doing is a cleansing of the self and of the mind.
Cornflakes
This poem is a strange trip for an innocent subject, Cornflakes, through a universe of planets, flowers, family members, and hell.
Remedios Varo
This text is a post-modern poem that travels to Mexico City, visiting Remedios Varo and name-drops Max Erns and Friday Kahlo and paints with words images of a surrealist painting worthy of Salvador Dali with a feminist twist.
Interview with Marge Piercy
This short but interesting interview deals with narrative topics such as anti-semitism, science fiction, feminist jews in WWII. A discussion of editorial practices at Knopf will serve as eye openers to the readers.
Review of The Road to Fez
The book reviewed by the critic is filled with different manifestations of desire. It is set in contemporary Morocco, but also takes the reader back to 1834 and 1492, a time in which Sephardic Jews and Moors were kicked out of Spain, when this latter country became almost as powerful as the once mighty Rome.
Review of The Golden Notebook of Springfield
After a couple of sentences that anyone writing a dissertation should read, Vilas Pratt begins to review Vachel Lindsey's at times difficult utopian novel, only made bearable (according to the critic) by a three-part introduction written by Ron Sakolsky.
Review of The Politics of Women's Studies
Smith's review, seeming more like a short essay (with its own Works Cited section at the end of it), concentrates its close to three pages in the Florence Howe edited The Politics of Women's Studies: Testimony from 30 Founding Mothers. This book is undeniably "a success story, albeit an unfinished one" according to Smith.
Review of "Saddling la Gringa"
Phillipa Kafka, a constant book reviewer and contributor to Femspec, now gets her book "Saddling la Gringa": Gatekeeping in Literature by Contemporary Latina Writers reviewed by Gina Wisker, another contributor of our journal. Kafka's book offers well written essays focusing on Judith Ortiz Cofer, Rosario Ferré, Magali García Ramis, Cristina García, and Julia Alvarez, with support from a critical framework that includes Michel Foucalt, Luke Irigaray, and Judith Butler.
Review of (Out) Classed Women
The reviewer finds this book well informed, threading "the path of feminist cultural politics with sensitivity and brings to life the engaged work of several Chicana writers" (116).