| EDITORIAL REMARKS: |
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| CANDRA CRUZ and BATYA WEINBAUM |
Editor’s
Notes |
1 |
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| CRITICISM: |
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| MARGARA AVERBACH |
Technology,
“Magic,” and Resistance in Native American Women’s Writing |
7 |
| SANDRA BARINGER |
The
Terror of the Liminal: Silko’s Almanac and Klein’s Phantasy
Paradigm |
17 |
| ROSEANNE HOEFEL |
Narrative
Choreography toward a New Cosmogony: The Medicine Way in Linda Hogan’s
Novel Solar Storms |
33 |
| ROBERT GISH |
Voices from
Bear Country: Leslie Silko’s Allegories of Creation |
48 |
| ELAINE KLEINER and ANGELA VLAICU |
Revisioning
Woman in America: A Study of Louise Erdrich’s Novel The Antelope
Wife |
56 |
| TOM MATCHIE |
Fighting
the Windigoo: Winona LaDuke’s Peculiar Postcolonial Posture in Last
Standing Woman |
66 |
| DELILAH ORR |
Bear,
Mountain Lion, Deer, and Yellow Woman in Leslie Marmon Silko’s
Ceremony |
73 |
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| POETRY: |
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| SARA LITTLECROW-RUSSELL |
Indian
Tears |
87 |
|
Those
Indians Sure Are Crafty |
88 |
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| FICTION: |
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| JANET MCADAMS |
Plaza
Bocanegra |
89 |
| DAWN KARIMA PETTIGREW |
Manna
Raptured |
92 |
| STEPHANIE SELLERS |
Father
Coyote |
95 |
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| REVIEWS: |
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| KAILA SCHWARTZ |
Elements
of Trickster in the Children’s Books of Louise Erdrich |
98 |
| SUZANNE ZAHRT MURPHY |
Dream
Poet: Marijo Moore |
105 |
| ANNIS VILAS PRATT |
Review
of Life Is a Fatal Disease |
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| ART: |
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| KAT BALL |
Stink of
the Future |
115 |
| AMERICA MEREDITH |
Art from
the “Three Sisters Show, Santa Fe, New Mexico, June 1999 |
117 |
| KELLY JEAN CHURCH |
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| ALLISON FRANCISCO |
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